…speaks for itself.
Category Archives: in rainbows
Someone turn this into a mix tape or something.
I posted this on OTD yesterday:
We were gonna post a Journey video but we just couldn’t bring ourselves to do it.
Oh, listmania, you’re like Paris Hilton holding a plate of Oreos: contradictory, slightly off-putting, and yet fascinatingly addictive. Just when we think we’re listed out, we find ourselves reading another one, and nodding enthusiastically or wondering why anyone thinks the new Band of Horses album is Top 10-worthy. The best list-related reading of the week is undoubtedly Slate’s ongoing documentation of a musical conversation between Robert Christgau, Jody Rosen, and Ann Powers. If you’ve got an hour, it’s worth reading through, but if not, here’s our favorite part: On Sunday Rosen praised Journey’s “Don’t Stop Believin’” as the song of the year, thanks to boosts from The Sopranos and drunken karaoke-ing college kids across the US (Rosen notes that “Don’t Stop Believin’” wasn’t critically acclaimed in 1981, leading him to deduce “There’s a “Don’t Stop Believin'” of 2007 out there somewhere; it’s probably some Nickelback song. Or maybe it’s Mims”). Powers agreed (“Journey is so relevant now”), and just our heads began to spin Christgau verbally smacked some sense into everyone, via his post on Monday: “Journey sucks. They sucked in 1981, they’ll suck in 2033, and they suck now. Who gives a fuck what Tony Soprano thinks?” Xgau, we love you, even though we have no idea how Soulja Boy’s Souljaboytellumdotcom ended up on your Top 30 albums of ‘07 list.
List-related blog item #2: Flipping through our roommate’s copy of Blender recently and we spotted Animal Collective’s Strawberry Jam at number 90 of the mag’s list of the 100 Greatest Indie-Rock albums Ever. “Way to go AC!” we thought. We might’ve picked Feels instead, but whatevs. Then we checked out Blender’s Best 25 Albums of 2007 and, amazingly, Animal Collective is not on there. Like, at all. WTF? Is Strawberry Jam so great and influential that we’re supposed to just feel it’s presence on there? Or is this a reality check that these lists – all of them, not just Blender’s – are kinda BS because (duh) it’s all a matter of (sometimes dissenting, even at the same publication) opinion. We’re not pointing fingers here – we just put the finishing touches on our best album lists, look for ‘em on the Internets soonish – but maybe Slate’s got the right idea in turning listmania into a friendly debate about musical happenings within the past year, rather than a set-in-stone, these are the best albums period, kind of thing. Or maybe that’s what Idolator’s comment section is for.
So now, my own best of list, which is in no way set in stone – in fact, I spent weeks debating it, and am still not positive about my choices. But, deadlines demanded I make a decision – you can also find the list, along with other Phoenix-contributor Top 10’s, here.
A few stipulations: 1) These are not in any order, 2) I’m counting Peter Bjorn and John’s Writer’s Block as 2006, even though Rolling Stone doesn’t think so, and 3) I would’ve put Grizzly Bear’s Friend EP, which I simply adore, on the list in a heartbeat if EPs were allowed.
M.I.A. – Kala
Deerhoof – Friend Opportunity
Radiohead – In Rainbows
Animal Collective – Strawberry Jam
Yeasayer – All Hour Cymbals
Of Montreal – Hissing Fauna Are You the Destroyer?
Les Savy Fav – Let’s Stay Friends
The Besnard Lakes – The Besnard Lakes A re the Dark Horse
LCD Soundsystem – Sound of Silver
Andrew Bird – Armchair Apocrypha
Courtesy of ICHC:
Courtesy of Radiohead (and Will):
Just to let you know…
Your “In Rainbows” discbox has now left w.a.s.t.e. in the UK
You can expect delivery of your discbox in the following estimated times.
UK 1-8 days
Europe 1-14 days
Rest of World 5-18 days
Wherever possible (especially to customers in the USA), we’ve sent these by road and sea.
December is a busy time of year for postal services globally, so please be patient.
We thank you for your custom and hope you enjoy your discbox when you receive it.
us @ w.a.s.t.e.
Too carefree for sound quality?
In an attempt to keep up with the
freeloading download-obsessed music fans of today, Universal has “leaked” Ashlee Simpson’s newest single, “Outta My Head,” off her a- yet unnamed third studio album, which will come out sometime in March. “Outta My Head’s” official iTunes release is December 11; and apparently Universal thought they’d drum up some buzz (and hopefully erase that whole SNL thing from everyone’s memory) by “leaking” the song on AOL. We use quotes around “leaked” for two reasons. First, is it really leaking if the label goes ahead and gives the song to a major website? The second, most maddening reason is that, on a sound quality level, the song sounds kind of like someone was recording it in a basement with one of those handheld crappy digital recorders we use for interviews at Phoenix HQ. Or maybe it was our mom’s old Sony boom box, with the Cocktail soundtrack still in the tape deck. The volume inexplicably rises and falls, and the vocals sound fuzzy and crackly, and not in the experimental, Grizzly Bear-type way. We got about halfway through before we wanted to yank our sound-enhancing headphones off and throw them across the room. What. The. Fuck. We’re gonna go ahead and guess that it’s not that AOL and Universal couldn’t scrounge up the dough for a decent mastering of this track; rather, it seems the thinking here is that fans will endure the crappy version until December 11, then race to iTunes for the “high quality” version. This faulty logic exemplifies major label thinking as a whole, but beyond that, it’s an insult to the fans. Ok, maybe it’s not so far off from Radiohead’s grand, apparently not planned plan, but at least Radiohead gave us a steady volume level, minus any unintentional crackling, on the first version of In Rainbows. When will the major labels get it?
ALSO, I got to talk to Ted Leo recently, and it was awesome. Check it out here.
UPDATE: The sound quality now seems slightly better. Maybe AOL tweaked it a bit and I should get off of my jump to conclusions mat?
There we were, just sitting around the office on a rainy Monday, debating the In Rainbows controversy (here’s the backstory… also here, and here), and arguing over whether London is 5 hours or 6 hours ahead, when it dawned on us – why not organize a kick-ass Radiohead listening party tomorrow, to coincide with the official Radiohead-sanctioned leak day and time? A few e-mails later, and it was all set up – Great Scott, tomorrow night, 7 pm sharp. Come listen and have a PBR or two – but don’t bring any Chatty Cathys. Or Thom Yorke haters. Read more about it here or here.