That whole Shriiimp thing

Photo courtesy of Shriiimp.com

A few things I’d like to point out, in light of some recent comments disapproving of this piece. First, the misspelling of “Juxtapoz” was a miscommunication between myself and my editor, and for that I’m sorry. I’m not sorry, however, for reporting the story to the best of my abilities. I am not a publicist, and I was not writing a press release to hype up Shriiimp. One of the ground rules for journalism is that a story should never be one-sided; a variety of points-of-view are always necessary. I interviewed a plethora of sources for this story, from a large group of Shriiimp-involved people, to art experts, graf experts, artists, and other people with strong opinions about the site. I reported back a variety of opinions, both for and against Shriiimp’s concept – i.e., those who take it quite seriously as art, those who find it to be misogynistic, and those who think it shouldn’t be taken so seriously.

I have no problem with people posting comments on the story. No journalistic career is free of personal criticism, not even for Deborah Solomon. If anything, I’m glad that it was something that got people talking. It’s a good thing when people are talking about art, or journalism about art, and obviously the anonymity of the Phoenix’s commenting system allows people who would never have the courage to e-mail or call me personally, and express their opinion to make biting and immature comments, with no risk of exposing who they are, or having to elaborate their opinions further. Having someone refer to my writing as “insanely horrible,” and a “steaming pile of shit” is not exactly pleasant but, as a co-worker put it to me today, “internet backlash is the first sign you’ve made it.”

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